The Way to Cold Mountain
Acrylic on Canvas
1200 x 1000mm

Early influences

At the age of 16 during his first year at Art College he was fascinated by what is termed ‘abstract art’. He couldn’t pretend I understood it but felt an actual physical thrill when looking at these paintings, especially the work of the abstract expressionists. Researching these artists and the ideas that led them to such painting he came across Zen Buddhism, a major influence in American painting and poetry in the 1950s and 60s.

Zen and abstract expressionism have been an ongoing concern of his ever since. Alongside his figurative work he has always painted abstracts, not showing the work in his gallery for many years as he believed that visitors to the islands are drawn to the place, and abstracts by their very nature are not place specific. During the winter of 2005 to 2006 this long held interest came to the fore, and he decided to concentrate on this form of painting exclusively, to see if and how he could develop what feels to me to be the most honest approach to my craft.

Recent work

Concentrating on abstract work allowed him to re-engage completely with the processes and possibilities of paint. His recent work is not only a response to the landscape but also to the language of painting. Sometimes he approaches each new work with no subject in mind. He finds it in the painting as it evolves, using various means to apply the paint – rags, knives, cardboard, brushes and fingers. he likes acrylic for its fast-drying quality to keep his involvement with the painting unbroken.

In figurative depictions of a location, more attention goes into making the mark exciting rather than descriptive. But whichever approach, the challenge is to find a presence – figurative or not – where the painting has a life in itself, beyond the suggestion of the title.

In October 2015 he closed his own gallery in order to slow down a little, and have more freedom to go out to draw and paint in the landscape.